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Padmasambhava, Buddhist Handmade Statue, Gold Plated, Face Painted and Stone Setting
▫ Item Code: HME30895
▫ Weight: 1245 grams
▫ Size (CM): 23 x 15 x 11
▫ Material: Copper
▫ Availability: Available

Padmasambhava: Brief Introduction
Padmasambhava, meaning “The Lotus-Born”, was a revered spiritual teacher credited with bringing Vajrayana Buddhism to Tibet, Bhutan, and neighboring regions during the 8th century. Born in Oddiyana, he was a scholar, a profound meditator, and a master of esoteric practices. In Tibetan culture, he is known as Guru Rinpoche or Lopon Rinpoche, and is considered the Second Buddha by followers of the Nyingma school of Tibetan Buddhism.

He once stated:

“My father is the intrinsic awareness, Samantabhadra.
My mother is the ultimate sphere of reality, Samantabhadri.
I belong to the caste of non-duality in the sphere of awareness.
My name is the Glorious Lotus-Born.
I am from the unborn sphere of all phenomena.
I consume concepts of duality as my diet.
I act in the way of the Buddhas of the three times.”

Finishing: Stone Setting
This statue is adorned with an exquisite selection of semi-precious stones such as turquoise, coral, and lapis lazuli. Each stone is carefully handpicked and precisely placed to enhance the beauty and sacred presence of the statue. Attached using a high-quality adhesive, the stones provide durability while enriching the statue with vibrant color contrasts and ornamental depth.

Gold-Painted Face
The face of Padmasambhava is delicately painted with gold to highlight significant features—particularly the eyes and lips. This sacred practice is essential in Buddhist art, as it gives life and expression to the statue that cannot be achieved through metal carving alone.

Painting the face with gold holds ritual significance in Buddhist tradition. It symbolizes spiritual vitality and reverence, preparing the statue for consecration and devotional practices. This step demonstrates the artisan’s dedication and spiritual intent, ensuring the statue is not only a work of art but also a sacred object.

Full Fire Gold Plating
This Padmasambhava statue is finished with full fire gold plating, also known as mercury gold plating. This traditional Nepali technique involves applying a genuine layer of gold, making it distinct from modern electroplating. Though costlier, fire gold plating is prized for its longevity, rich luster, and authenticity.

The recent revival of this technique in Nepal reflects a renewed appreciation for cultural heritage and traditional craftsmanship, bringing unmatched spiritual and aesthetic value to the piece.

Lost-Wax Casting Method
The statue is crafted using the lost-wax casting process, a time-honored technique dating back thousands of years. Artisans begin by creating a detailed wax model of the sculpture. This model is coated with multiple layers of ceramic material to form a mold. Once set, the wax is melted out, leaving a cavity into which molten metal is poured.

After cooling, the ceramic shell is removed, revealing a precise metal replica. This method allows for exceptional detail, ensuring each statue is a unique masterpiece of both art and devotion.

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